Archive for the 'books' Category

French Nobelist on the Novel

From the NYT article covering French writer Jean-Michel Gustave Le Clezio award of the Nobel Prize, his answer to what message he would convey in his address:

My message will be very clear; it is that I think we have to continue to read novels. Because I think that the novel is a very good means to question the current world without having an answer that is too schematic, too automatic. The novelist, he’s not a philosopher, not a technician of spoken language. He’s someone who writes, above all, and through the novel asks questions.

Interesting, and interesting to argue, sidenote: Horace Engdahl, the head of the Swedish Academy (which awards the prize) was critical of American literature today, calling it “too isolated, too insular” and “too sensitive to trends in their own mass culture.” No American has won the Nobel literature prize since Toni Morrison did in 1993.

More publishing cool/smartness, from Neil Gaiman

From Neil Gaiman’s Journal: The Graveyard Book Tour

The Proper US tour starts in New York on Tuesday the 30th. At each US stop, I’m going to read a chapter of The Graveyard Book. I’m going to read them in order. Other things will happen too (we’re hoping for some exclusive Coraline footage, for example), and there will be a Q&A and maybe other things. The stops are going to be filmed. Each Chapter that gets read will also be put online by Harpers very soon after it’s read (depends mainly on how quickly the footage can be edited and put up online). So you can follow the tour around, and get the book a chapter at a time for free…

All sorts of forward-lookingness from an publishers who are already doing trailers, author blogs, digital early releases, crowd-sourced promotions and tours. I just wish I liked Gaiman’s novels half as much as I do his comics.

Barnacles, Butterflies, and . . . Buffoons?

I’m reading Numerati, a fun read about the rising importance of data and modelling (and a healthy antidote to some of the extremes of Super Crunchers. In general, the book has a better, less fetishistic tone, one that acknowledges the power of what’s going on, but keeps it real:

The only folks who can make sense of the data are crack mathematicians, computer scientists, and engineers. They know how to turn the bits of our lives into symbols . . . [he has a nice jag about using index cards to keep track of dietary patterns, and how inefficient that would be. It’s a bit of humanizing text, but I don’t feel like typing it.] The key to this process is to find similarities and patterns. We humans do this instinctively, it’s how we figured out, long ago, which plants to eat and how to talk. But while some of us were focusing on more specfic challenges, others were thinking more symbolically. I picture early humans sitting around a fire. Some, naturally, are jousting for the biggest piece of mate or busy with mating rituals. But off to the side, a select few are toying with stones thinking “if each of these pebbles represent one mammoth, then this rock . . . “

Somehow, those paleo-ners playing with the stones instead of mating or eating meat managed to survive long enough to pass on their genes until, millions of years later, they could become Hari Seldons of the 21st century.

The key thread of the first fourth of the book (which is where I am, according to the impossible to count progress dots on my Kindle), is how people are trying to turn data points into meaningful models of people. The first test cases are supermarkets, where discount programs and smart carts are being deployed to gather data points about people. One of the first things that emerges is that there are customers who do too good a job of taking advantage of sales and promotions. These people, called “barnacles” by the numerati and marketers who really never intended for people to take advantage of sales, are the people who watch the movies they rent on Netflix, rather than let them sit on the coffee table collecting dust, or the people who actually go to the gym and try to live up to their New Years Resolution or lower their blood pressure. These barnacles should be “fired” by retailers, as they drag down profits.

On the other side, you have “butterflies”: “customers who drop in at the store on occasion, spend good money, and then flit away, sometimes for months or years on end.” Since they’re unreliable, it a waste of time to lavish courteous, much less fawning, treatment of them.

I suppose that means that the most desirable customers are buffoons . . . those who don’t scrutinize, price-seek or use the products and services they buy and those who are easily ensnared in a seller’s field of gravity.

It’s kind of fun to watch marketing lurch between respecting the customer’s individuality and trying to model them into flippable switches.

Another, better, e-Reader

Looks like Plastic Logic has an e-Reader that covers many things the Kindle doesn’t: touch-screen, larger display, Office document compatibility. None of the coverage talks yet about energy consumption, keyboard input, or better scanning/navigation of documents (though the touch screen could help that a lot). Also, not sure if 8.5 * 11 is the ideal size for a book replacement.

None of those concerns stops the ache to actually have one and convert my library . . .
plastilogic1.jpg

Neal Stephenson with the morning coffee

anathem.jpgHow much more am I loving my Kindle? I woke up this morning, flipped on the Kindle for the morning paper download and, lo!, there’s Anathem — Neal Stephenson’s newest novel. All reading of Pride and Prejudice, Nixonland, Click and anything else stop.

The timing is great, too. There is a bunch of reportage today that Bletchley Park is getting funding for renovation from a bunch of technology companies. (My favorite Neal Stephenson novel is Cryptonomicon, which is all about crypto in the 90s and during WWII. One of the characters, Randall Waterhouse, goes to Bletchley.)

Photos of WWII codebreaking stuff.

Couple more links at boinboing.

My illiteracy: Shoulda shoulda shoulda

Just came across references to the NEA Big Read Meme in Cocktail Party Physics.  The NEA is trying to “designed to restore reading to the center of American culture”, a worthy goal questionably stated.  I would think a Trojan horse approach (reading that entertains, books that are fun) would work better than a return to the past and an attempt to displace the web and mp3 players.  But that’s non-profits for ya. 

The list below, and I haven’t found the original source yet (and see no point in trying to having found the same list three times already), has 100 books that are somehow worthy of people’s attention.  It’s a mix of popular and fun (Harry Potter, LOTR) and more traditional classics (Lolita, Pride and Prejudice).  The viral activity around it is to see what we have read, intend to read and which ones we love.  Great fun to play  with, critique, and build your own.

One thing around the categories worth doing is distinguishing between “Read and discarded from thought” which would apply to most of Tess of the D’Urbervilles which was part of AP English, “Read and Internalized”, “Read but should Re-Read”.  Not all read-s are equal.

Look at the list and bold those we have read.
Italicize those we intend to read.
Underline the books we LOVE.

I’ve also put a footnote anchor by incomplete reads, with notes at the bottom.

1 Pride and Prejudice - Jane Austen
2 The Lord of the Rings - JRR Tolkien
3 Jane Eyre - Charlotte Bronte
4 Harry Potter series - JK Rowling
5 To Kill a Mockingbird - Harper Lee
6 The Bible
7 Wuthering Heights - Emily Bronte
8 Nineteen Eighty Four - George Orwell
9 His Dark Materials - Philip Pullman
10 Great Expectations - Charles Dickens
11 Little Women - Louisa M Alcott
12 Tess of the D’Urbervilles - Thomas Hardy
13 Catch 22 - Joseph Heller
14 Complete Works of Shakespeare [1]
15 Rebecca - Daphne Du Maurier
16 The Hobbit - JRR Tolkien
17 Birdsong - Sebastian Faulks
18 Catcher in the Rye - JD Salinger
19 The Time Traveler’s Wife - Audrey Niffenegger
20 Middlemarch - George Eliot
21 Gone With The Wind - Margaret Mitchell
22 The Great Gatsby - F Scott Fitzgerald
23 Bleak House - Charles Dickens
24 War and Peace - Leo Tolstoy
25 The Hitch Hiker’s Guide to the Galaxy - Douglas Adams
26 Brideshead Revisited - Evelyn Waugh
27 Crime and Punishment - Fyodor Dostoyevsky [2]
28 Grapes of Wrath - John Steinbeck
29 Alice in Wonderland - Lewis Carroll
30 The Wind in the Willows - Kenneth Grahame
31 Anna Karenina - Leo Tolstoy
32 David Copperfield - Charles Dickens
33 Chronicles of Narnia - CS Lewis
34 Emma - Jane Austen
35 Persuasion - Jane Austen
36 The Lion, The Witch and The Wardrobe - CS Lewis
37 The Kite Runner - Khaled Hosseini
38 Captain Corelli’s Mandolin - Louis De Bernieres
39 Memoirs of a Geisha - Arthur Golden
40 Winnie the Pooh - AA Milne
41 Animal Farm - George Orwell
42 The Da Vinci Code - Dan Brown
43 One Hundred Years of Solitude - Gabriel Garcia Marquez [3]
44 A Prayer for Owen Meany - John Irving [4]
45 The Woman in White - Wilkie Collins
46 Anne of Green Gables - LM Montgomery
47 Far From The Madding Crowd - Thomas Hardy
48 The Handmaid’s Tale - Margaret Atwood
49 Lord of the Flies - William Golding
50 Atonement - Ian McEwan
51 Life of Pi - Yann Martel
52 Dune - Frank Herbert [5] (Currently reading this.)
53 Cold Comfort Farm - Stella Gibbons
54 Sense and Sensibility - Jane Austen
55 A Suitable Boy - Vikram Seth
56 The Shadow of the Wind - Carlos Ruiz Zafon
57 A Tale Of Two Cities - Charles Dickens
58 Brave New World - Aldous Huxley
59 The Curious Incident of the Dog in the Night-time - Mark Haddon
60 Love In The Time Of Cholera - Gabriel Garcia Marquez
61 Of Mice and Men - John Steinbeck
62 Lolita - Vladimir Nabokov
63 The Secret History - Donna Tartt
64 The Lovely Bones - Alice Sebold
65 Count of Monte Cristo - Alexandre Dumas
66 On The Road - Jack Kerouac
67 Jude the Obscure - Thomas Hardy
68 Bridget Jones’s Diary - Helen Fielding
69 Midnight’s Children - Salman Rushdie
70 Moby Dick - Herman Melville
71 Oliver Twist - Charles Dickens
72 Dracula - Bram Stoker
73 The Secret Garden - Frances Hodgson Burnett
74 Notes From A Small Island - Bill Bryson
75 Ulysses - James Joyce (No, but I read Portrait of the Artist as a Young Man, and that was enough for me!! :P )
76 The Bell Jar - Sylvia Plath
77 Swallows and Amazons - Arthur Ransome
78 Germinal - Emile Zola
79 Vanity Fair - William Makepeace Thackeray
80 Possession - AS Byatt [6]
81 A Christmas Carol - Charles Dickens
82 Cloud Atlas - David Mitchell
83 The Color Purple - Alice Walker
84 The Remains of the Day - Kazuo Ishiguro
85 Madame Bovary - Gustave Flaubert
86 A Fine Balance - Rohinton Mistry
87 Charlotte’s Web - EB White
88 The Five People You Meet In Heaven - Mitch Albom
89 Adventures of Sherlock Holmes - Sir Arthur Conan Doyle [7]
90 The Faraway Tree Collection - Enid Blyton
91 Heart of Darkness - Joseph Conrad
92 The Little Prince - Antoine De Saint-Exupery
93 The Wasp Factory - Iain Banks
94 Watership Down - Richard Adams
95 A Confederacy of Dunces - John Kennedy Toole
96 A Town Like Alice - Nevil Shute
97 The Three Musketeers - Alexandre Dumas
98 Hamlet - William Shakespeare
99 Charlie and the Chocolate Factory - Roald Dahl
100 Les Miserables - Victor Hugo

Neal Stephenson and the new publishing

anathem.jpgEos books, the imprint for the next Neal Stephenson novel . . . pause for a minute to celebrate that fact (which I didn’t know until this morning) . . . pause for another moment to celebrate the fact that it is not historical fiction (as opposed to his last three) . . . too many ellipses …

Eos books, the imprint for the next Neal Stephenson novel, had a nifty blog entry today announcing that Stephenson would be doing an interview soon and that readers could submit questions in the comments section. Stephenson has done a lot of interesting publishing things. When he released Cryptonomicon, a novel in which the importance of cryptography and secrecy to WWII and business today was prominent, he offered readers a code to crack. For the release of Quicksilver, the first volume of his Baroque Cycle he started a wiki in which readers could document the characters, events, ideas, and books covered in what turned out be a massive historical cycle. The release of In the Beginning was the Command Line, a book about software design and the predominance of the GUI in it, as a free downloadable was one of the early instances of ‘free’ in publishing. He semi-famously told the NYT that he wrote Snow Crash because programming it as a multi-media thing turned out to be too hard. He also used to provide soundtracks to the writing of the novels as part of his acknowledgements.

So this is another of those interesting things that Stephenson is doing to publishing. The questions and comments are awesome:

stephenson.png

stephenson3.png

stephenson2.png

Stephenson has a fervent following, which cares deeply about his work and the subject matter driving his work, so it’s not entirely safe to say that every author can or should do this. But there are two points worth noting. First, Stephenson writes dense fiction that entertains but which also goes somewhere. He can write hilarious, memorable scenes, but they almost always occur in a setting that has depths the novel doesn’t have time to explore. Even his pen-name-written Interface, one of his more straightforward narratives, gets into how the brain works, how much we can manipulate people’s tastes, and, oddly enough, turned me onto a now decade old love of Mahler (along with Kundera . . . I read Immortality a month before Interface. Second, he is all about the “More…” dynamic of the internet era. Knowing that there is a feedback loop where his intellectual passions feed his fiction which fuel his and his readers’ passions, he participates readily and effectively in creating and pointing to content that deepens the reading and appreciation of his work.

Meanwhile, I’m just psyched that he’s doing a novel about monks. I love that s@!$.

Book with a trailer, and best review line ever . . .

invisiblearmies.jpgJon Evans’s new book Invisible Armies, has a trailer. (It’s also free for a month, and the author has travel tips and the publisher is running a GPS contest)
Better still, it has a blog-blurb-review-endorsement from Bruce Sterling that works for on an absurd number of levels.

(((That’s a pretty good book, actually. It’s kind of a tough-as-nails technothriller from a leftie Seattle 99er perspective. People who aren’t morons and like thriller novels ought to read this.)))

Metaphor/Picture/RIA Silliness

The Viking Penguin Bookclub has promise as an idea: a publisher curates its offerings, supports it with a blog, and allows users to do book club like activities around it. It starts out with a nice highlights/selections interaction:

vpmain.png

(On a design note, I started out liking the entry note: tab key-accessible entry fields, with good coloring. But it kind of fell apart. For the second field, seen above, I forgot what field I was entering, and without a label, discovered that my fingers are used to entering passwords after the name, not email. I was also bummed when the tab-accessible state pull-down, didn’t support up and down arrows or first letter.) Starts out promising, highlighting three books that you wouldn’t find on the bestseller list and emerging authors.

But then, it got stupid:

shelf.png
This is an slightly shrunken image of a browsable bookshelf and, I fear, the future that I will be facing in Flash design meetings. These titles, with the exception of the (excellent translation of) Anna Karenina and (somewhat overrated) Collapse are unbrowsable. When you rollover the book cover, you still get precious little information:

facebook.jpg

I still can’t make out what the book is.

I can’t tell if the interface above is “pictures are always superior to text” or “recreational of physical reality always rocks users”, but I know that, as a CD/CD manager, I’ll have to suit up and deal with a lot of sad, silly, stupid, sucky interface ideas like this.

Link found via Konigi.

Kindle Coverage . . . more data points to get it already

Techcrunch providing compelling reasons for the Kindle.  Or rather Citi investment analysts are.  They estimate that Amazon will generate between $400 million and $750 million in revenue from the Kindle by 2010, or 1% - 3% of Amazon’s total revenue.  There’s a nice side-by-side comparison that opened my eyes:

kindlecomp.jpg

The most important, and most interesting, one is that book selection.  I was under the impression, from where I can’t remember, that both were at about 90,000.  My regular tests of Amazon and the Sony store didn’t seem to unearth any differences — attempts to find test books on either store yielded identical results.  Weird perceptual thing on my part?  Bogus data?

Most important, though, is Jennifer Aniston’s endorsement, also in Techcrunch:

jenmed.jpg

« Previous PageNext Page »