Archive for the 'amateur' Category

The urge to share

I had a conversation recently about what it means to post pictures on Flickr. I recently bought a pretty expensive camera (Canon EOS XTi) because I was starting to care enough about what I was recording to put money into some equipment that could compensate for my lack of talent and knowledge. After posting a bunch of very disappointing pictures on flickr today, I went back and found the first two pictures I ever posted — the ones that got me onto flickr. The first is a cool sunrise in Portsmouth, NH. I described it as a “Windham Hill wannabe moment”.

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The second was a picture of my dog, Maggie, shoving her head into a hill of snow to pursue a scent she had picked up. I love canine moments of abandon.
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I didn’t really learn anything concrete about my urge to share, but I did remember that urge to “put it out there” cuz I thought it was good to have it out there and not just on a disk drive in my closet (where pictures eventually must be archived).

I remember, in the early 1990s, reading a NYT review of a Bobbie Ann Mason collection of short stories, in which the reviewer said something like “Mason is terribly sympathetic to small-town people who live away from the things they love. They put up antennae to catch whatever signals they can of a life of the mind that exists only distantly for them” . . . I can’t find that line and am only sure about the putting up antennae part, but I think the urge to share is connected to that kind of reach — send out signals, wait for signals. Put it out there.

Jupiter on Flickr - Photo Sharing

I’ve blogged about this guy before, but this is one of those places where amateur is really cool.  Flintstone Stargazer is a flickr contact who does astro-photography (as well as other kinds).  In addition to posting his astro-pics, he also posts pictures of his equipment set-ups, the impromptu devices he makes to get things to work (mounts, stabilizers and the like).  He’s been taking a lot of pictures of Jupiter recently:

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Jupiter was my big “discovery” when JRube got me a telescope for Christmas years ago.  I was on the roof of my Brooklyn apartment, in February and was drawing pictures of what I saw (like Galileo!), and found four dots — one big one with three smaller ones — all on the same plane.  Remembered that’s how Galileo found the moons, check my maps and sure enough it was Jupiter.   A few weeks after that, after consulting maps and schedules, I was able to see the red spot.  Nothing like the clarity of the photo above . . . my telescope wasn’t that strong, and there’s too much ambient light in Brooklyn.

We are all design critics

Just saw this while ordering some forgotten/hidden/kooky New York books.  It’s a customer review for Lost New York:

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Radio Shack + MAKE ==

While catching up on MAKE videos (where is Bre Pettis? nothing against Kip Kay, but I had grown quite fond of Bre), I saw a plug for RSINVENTIONLAB.com — the Radio Shack Invention Lab. It looks like a user-generated and curated set of projects using the stuff you find in the cabinets at the back of Radio Shacks.

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Some design problems (though none of them caused by the pegboard and the tape and scrap paper look and feel) make it hard to find out what’s going on. But they seem have to some seeded projects (arduino, some MAKE b rolls) and then user-submitted stuff. The one above shows the charm and weirdness of this subcommunity: a box designed to capture EVP (electronic voice phenonomena). I would love to see this grow, as I am saddened every time I see a Radio Shack that doesn’t sell soldering irons.

Gin, Television, Cognitive Surpluses

A nice moment from Clay Shirky’s Web 2.0 Expo talk vindicates a crankiness I’ve blogged about before: the contempt that various people (esp. baby boomers) have for users who generate content:

I started telling her about the Wikipedia article on Pluto. You may remember that Pluto got kicked out of the planet club a couple of years ago, so all of a sudden there was all of this activity on Wikipedia. The talk pages light up, people are editing the article like mad, and the whole community is in an ruckus–”How should we characterize this change in Pluto’s status?” And a little bit at a time they move the article–fighting offstage all the while–from, “Pluto is the ninth planet,” to “Pluto is an odd-shaped rock with an odd-shaped orbit at the edge of the solar system.”

So I tell her all this stuff, and I think, “Okay, we’re going to have a conversation about authority or social construction or whatever.” That wasn’t her question. She heard this story and she shook her head and said, “Where do people find the time?” That was her question. And I just kind of snapped. And I said, “No one who works in TV gets to ask that question. You know where the time comes from. It comes from the cognitive surplus you’ve been masking for 50 years.”

The argument is based on the historical realization that surplus time needs to be managed. In pre-industrial/industrializing England, surplus time was managed with gin (people drank to use up the surplus time). Shirky casts this surplus more specifically as cognitive surplus — a recognition that there are brains available and itching to work and it’s more than our economy actually knows how to deploy. He argues that the great ‘heat sink’ for cognitive surplus (he really is as brilliant as the ITP kids say), is the sitcom.

All that background to set up my favorite line from the talk. Shirky is explaining WoW guilds to this same television producer and can tell that she’s thinking, what a bunch of losers, grown men pretending to be elves. He goes on a riff about how stupid and generically plotted sitcoms are and ends with: “However lousy it is to sit in your basement and pretend to be an elf, I can tell you from personal experience it’s worse to sit in your basement and try to figure if Ginger or Mary Ann is cuter.”

Earlier in the talk, Shirky notes that the current body of entries that makes up Wikipedia took about 100 million hours of labor. What a waste, right? But then he points out that we collectively watch 200 billion hours of TV every year. Even worse, we spend 100 million hours every weekend watching ads.

Snobs Who Get It and Get Into It: NYRB on Wikipedia

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A little late to be posting this, but the Nicholson Baker piece on Wikipedia in the NY Review of Books is pretty interesting for its insights, what it says about the NYRB, and for the author.

First, the author. Nicholson Baker is a fascinating person, and an interesting choice for the NYRB piece. In the past he has:

  • campaigned against libraries destroying books and card catalogs
  • saved the Rochester Public Library Card catalog from destruction
  • wrote an article about the books that appear as props in IKEA rooms after having read a large volume of them
  • worte a lengthy but illuminating New Yorker about how he organizes the 6 * 6 bookshelves that he limits his book collection to at home
  • unrelated, but interesting, he wrote an intimate confessional about his obsession with John Updike (U and I), in which he tortures himself by comparing his prose to Updike’s, obsesses about why Updike plays golf with some writers but not him, tries to remember his favorite passages from Updike’s work, only to be frustrated at the inaccuracy

There’s an obsessive self-reflectiveness to Baker which, coupled with his openness and honesty, makes him an ideal writer about user-generated content. The piece itself is ostensibly a review of Missing Manual for Wikipedia, by “cheery electronics expert David Pogue.” It’s a charming conceit of NYRB to throw a single title into the mix, force the writer to make a few comments about it, and then let them get on with the business of commentary.
Baker is the perfect blend of NYRB snob, but one who not only gets the internet, but gets into it. He’s not slumming, and he’s got enough literary juice and openness to unabashedly enjoy Wikipedia:

Wikipedia is just an incredible thing. It’s fact-encirclingly huge, and it’s idiosyncratic, careful, messy, funny, shocking, and full of simmering controversies—and it’s free, and it’s fast. In a few seconds you can look up, for instance, “Diogenes of Sinope,” or “turnip,” or “Crazy Eddie,” or “Bagoas,” or “quadratic formula,” or “Bristol Beaufighter,” or “squeegee,” or “Sanford B. Dole,” and you’ll have knowledge you didn’t have before. It’s like some vast aerial city with people walking briskly to and fro on catwalks, carrying picnic baskets full of nutritious snacks.

He also looks at it as a literary/writing phenomenon, and manages to keep some level of snobby, bookish aloofness:

[Wikipedia] asked for help, and when it did, it used a particularly affecting word: “stub.” At the bottom of a short article about something, it would say, “This article about X is a stub. You can help Wikipedia by expanding it.” And you’d think: That poor sad stub: I will help. Not right now, because I’m writing a book, but someday, yes, I will try to help.

And when people did help they were given a flattering name. They weren’t called “Wikipedia’s little helpers,” they were called “editors.” It was like a giant community leaf-raking project in which everyone was called a groundskeeper.

Despite the de rigeur snobbery in the preamble, Baker is genuinely enthusiastic about Wikipedia. In fact, Baker goes almost completely native in its culture. Not surprisingly, Baker, the man who preserved Ikea display books from obscurity (however briefly) and books and card catalogs from the shredder, became an active protector of articles slated for deletion. He put hours of time into making the case that an obscure beat personality, the Jitterbug telephone, unknown Russian poets, and the author of a ‘naps will change your life book’ deserved an entry in Wikipedia if someone was willing to write one. He followed them with the petty but real passions we’ve all experienced in bulletin boards, usenet groups, or any kind of forum that we know takes up too much headspace, but we allow it to anyway.

I stopped hearing what my family was saying to me—for about two weeks I all but disappeared into my screen, trying to salvage brief, sometimes overly promotional but nevertheless worthy biographies by recasting them in neutral language, and by hastily scouring newspaper databases and Google Books for references that would bulk up their notability quotient. I had become an “inclusionist.”

Baker is good-natured about his emotional attachment to these struggles: “When I managed to help save something I was quietly thrilled — I walked tall, like Henry Fonda in Twelve Angry Men.” He also observes that:

All big internet successes have a more or less addictive component — they hook you because they are solitary ways to be social: you keep checking in, peeking in, as you would to some noisy party going on downstairs in a house while you’re trying to sleep.

Not sure that all big internet successes rely on that hook, but he does highlight a powerful dynamic around safe ways to put one’s self out there, and his willingness to look at user-generation dynamics without condescension, especially a user-generated encyclopedia!, is refreshing as well as interesting.

The article has some nice higlights and Wiki-historical bits as well. He references over a dozen wars, vandalisms, deletions, hot-button entries. For my part, I did not know that Wikipedia was seeded with public domain content: the Encyclopedia Britannica 1911 edition, Dictoiary of Greek and Roman biography, two biography dictionaries, and a bible dictionary. Clever that.
Oh yeah, I think he recommends the Missing Manual: “this manual is enlightening, well organized, and full of good sense.”

Salon des Refuse, only friendlier: BIL & TED

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As TED quickly becomes an establishment kind of thing, it now seems inevitable (I think I’ve used an inevitable construction twice today and I’ve only been awake for 1.5 hours!), that there would be a response.

BIL loves TED. TED is a great place to sit and listen to interesting ideas. Many of those ideas make it online, and millions get to experience them.

The catch for many of us is that TED is $6,000, which is too expensive for most people, including a great number with good ideas worth spreading. BIL has been created as a free space for people with ideas to come together and share them.

Our event is self-organizing, emergent, and anarchic. Nobody is in charge. If you want to come just show up

I’m not enough of a fan of crowds to find the ‘just show up’ part of it appealing, but I like the Salon-Salon des Refuses dynamic appealing.  As an emerging business with sponsors, TED has accountabilities that can drive the mix and tenor of the speakers.  But it’s still a wonderful thing to be celebrating the art of speaking, the theater of presentation and the generalist/renaissance reach for new ideas.  Which is why BIL bills itself as a “perfect match to TED.”  (I wonder how much time went into that:  it could have been a perfect match for TED, or a counterpart to TED, or a foil, but they went with the slightly clumsier “match to”.)

Generative World Design: Love

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Not sure I completely understand this, but Rock, Paper, Shotgun is reporting an MMORPG which is being created by one developer (Eskil Steenburg) who is using generative design techniques to create his world. The idea of a single programmer/artist creating anything game-like is exciting in the age of 30 person EA teams being needed for everything. But to have it be a generatively designed world, and one that looks like the screenshots here, is amazing. RPS is also gaga:

Since Steenberg is a one man show, he’s relying on clever maths to build the world for him and then clever gamers to come in and help him figure out where to take it, and what to do with it.So far he’s already populated it with weird animals and wondrous, gaseous visuals, and he intends to build the world into a kind of communal adventure, where gamers work together to furnish a central village, defend it from enemy attack, and explore the surround world and its many dungeons. Players will be able to do things like deform elements of terrain, allowing them to build tunnel networks or walls to defend their property. Items will also be intended for the good of all as Steenberg creates them and drops them into the world. You won’t be picking up rifles in your adventures, but more likely the plans for the rifle-building machine, that can then be utilised by everyone in your village. Part Zelda, part Tale In The Desert, part adventure shooter, and wholly abstract and beautiful, Love looks the kind of amalgam of art, programming and internet savvy that we’ve desired without even being able to imagine. It has the potential, and Steenberg has the huge intellect, for this to be one of the most precious events in PC gaming.

The glowing passage above arose from seeing Steenberg (the programmer) at GDC. (i’m not sure I’m all that excited about ‘gaseous visuals’, but the rest sounds nifty.) The site for the game is a cryptic mix of vision language for the game (love is . . .) and techno-speak describing the engine and tools for creating within it. Probably wisely, there is no place to sign up. Steenburg is saying he only needs a couple hundred players to validate and build the world.

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Buying Telescope Time

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MAKE Magazine reports from Toy Fair, a cool idea:  a gift card which buys time on major telescopes, time which you can control from your computer.

Telescopes have gotten amazingly good in the last 15  years and the ability to connect them to computers (for more precise movement and tracking), as well as advances in photography, allow for glorious pics.  Some dude I follow on flickr has some gorgeous pictures including the one below, of the Horsehead Nebula.

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Quietly exceptional: Goodreads

it’s weird that I like goodreads as much as I do but never raved about it. I’ve been using it regularly — partly as a reading journal, partly as a recommendation engine (one superior to Amazon’s in many ways) — but I don’t grab my friends by the arm and say “you have to try it out” the same way I do other things. And yet, it has insinuated itself into my weekly reading habits, my purchases, and has gotten me into some interesting debates. (I also learn a lot about friends since everyone on the web rates Ayn Rand a 1 or 5 and they tend to put her on their shelves.)
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I’m not sure why, but the reviews are always coherent, even when harsh or sarcastic. People are putting some thought into the reviews and for the most part care about books. The whole idea of browsing other people’s to-read, read, reading shelves is personal, engaging, and extremely valuable. My friend Todd is my business literature sherpa and I follow his reading habits closely.

The funny part, though, are the reminders that you haven’t finished a book.
This is a great, useful, engaging experience . . . but a quiet one. Like the act of reading which it supports.

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