Archive for March, 2008

A New SF Movie Begins Today

300px-NASA_Mars_Rover.jpgThe Mars rover Spirit is being put to sleep, or “infinite hibernation” mode, as reported by the AP. Now begins the long process, where across decades and lifetimes, the small pulse of energy from the sign will be self-directed towards Spirit’s sentience. Like Vee-ger before it, Spirit will come back and let’s hope it’s not pissed. In ten years, someone will write yet another Mars colony book, in which it the colonists — a multi-culti mix of scientists, jocks, babes, nerds, a bureacrat, a rogue unfairly disgraced military, and an artiste of some sort — are terrorized by an uncaring, mercilessly logical machine that calls itself Brit.
This is a serious bummer, really. These Rovers have already lasted 16x as long as planned and it’s made very cool discoveries, took the highest res picture of Mars, and had Marvin the Martian on its mission patch. Cheap government wankers . . .

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A Martian sunset, brought to us by Spirit.

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Paul Scofield’s graceful decline of Knighthood

A great, under-sung (at least in the US) favorite actor of mine Paul Scofield died yesterday.  No reason to call it out here, except that he had one of the more elegant handlings of British knighthood:

Scofield reportedly had been offered a knighthood, but declined.

‘’It is just not an aspect of life that I would want,'’ he once said. ‘’If you want a title, what’s wrong with Mr.?'’

Chess in Schools

The state of Idaho is committing to a state-wide program of chess instruction for 2nd and 3rd graders.  As someone who loved playing chess as a kid, worshipped the sane Bobby Fischer and dreamed of a comeback, and a proponent of constructivist approaches to education, I normally love this kind of thing.  (There’s an argument that chess isn’t external or project enough to be constructivist, but there’s some alliance there.)

Now, I’m starting to wonder.  Is chess nothing more than a measure for under-funded schools — short on textbooks, lab equipment, notebooks, teachers — to bring something to these kids?

On the upside, they’re using the web to bring a chess expert into the classroom and it does attempt to bring some history and math into it.

Nothing New: My Top 5 Interactive Experiences

It seems like everything I read or think about interactive eventually, but quickly, zooms into next steps: how can we use this for marketing? how will this help us talk to our customers better?

I’ve almost forgotten the fun stuff that made me think this was an amazing medium, so I put together a list of the top 5 interactive things I’ve experienced over the years. These were more like interactive epiphanies, things that made me think this was a new medium with power. There are millions of little moments I can get all Chris Farley “that was cool” about, but these are ones that showed new possibilities.
Beethoven’s 9th

An educational CD-ROM made in hypercard by Robert Winter. It presents the 9th as the fulcrum to the romantic era musically, culturally, philosophically, and within Beethoven’s career. Using clickable pieces of music, often synched with scores, as well as photos, sketches, and active maps, the CD-ROM explains sonata form, the classical style, and development of themes. It also has an interactive score which allows you to listen to the symphony, while watching the score, all the while displaying comments and which section (development, false cadence, recapitulation, etc.) of the symphony you’re in. (Interesting article about the title and its place in the history of books.)

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Final Fantasy 7

I can’t say it’s the best FF (I have only played a few), but it is the best game I have ever played. The story was one I actually followed, I was genuinely sad when Aerith died (I mean, it’s f*’ed up how bummed I was, I think I gasped), the combat system was clever and required tactics and strategy which I was proud of, and I still remember the characters.

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Journeyman Project Turbo

This is a strange choice since the game was kind of crap — from that era when interactive stories were getting full of themselves. It was a time travel game, where you have to go and retrieve things from different eras to prevent oh, I don’t know, an exponentially growing rift in the time-space continuum that would destroy this universe and maybe others as well. What was cool, and truly memorable about it, was that one of the time settings was Leonardo’s workshop. You could wander around it at night and it was absolutely gorgeous. It was one of the first games to do sound design with stereo headphones in mind, so the ambient sounds and the music added to the immersion.

Fantasy Baseball Draft

Real-time fantasy baseball drafts are amazing fun. (Real-time as opposed to the turn-based email drafts, which I’m doing this year). Sitting around waiting for the draft to begin and talking to people, watching bots pick players for people who haven’t shown up yet, scrambling to figure out your next pick (or next two picks if you’re at the end of the snake), back-channel chatter. The funnest thing I’ve done on the web. I stayed in a league for three years too many just to experience the fun of that draft.

I actually had to stop at 4, cuz I already had two games and all I could think of were other games. It also highlighted that I haven’t had any mind-blowing experiences in the last three years, which was kind of sad. Flickr comes close, but I was looking for things that I still talked about years later and remembered the epiphanous flash that said, “things are different.”

The MAKE Generation of Hackers

Watching the Sarah Connor Chronicles, I see that John Connor is a hardware hacker in addition to a software guy now.  Here he is, working on a terminator’s core chip:

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(The key looking thingie is the core chip of a terminator, and it’s plugged into a prototye board looking deal with a heat-sink covered other chip.)

The technobabble isn’t the usual “trying to get into the security sub-level” but a straightforward conversation about voltage, “how much voltage are you giving it?” “2.5″ “not enough, but don’t go above 8 or it will activate higher level functions”.

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The on-screen software shows faux oscilloscope waves, a very simple, STAMP-like chip pattern, a weird faded number window that’s a mix of nixie, DNA sequencing slides, and Matrix.

I like to think this is a sign that we’re moving into the MAKEzine era of pop culture heroes who hack.  After more than a decade of watching people at keyboards jabber about breaking into files, maybe we’ll get to see them solder more.

Fun Screenshots so far this year

I’ve got a small collection of screenshots on flickr — interactive moments that I screengrab that are sometimes interesting, exhibit good design, or, most often tickle me. Here are some in the last couple weeks:

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This is the exit screen after setting up my team on ESPN’s fantasy baseball, a league I’m doing with high school friends. Characterized by Alex as a “Calgon take me away moment for dudes”

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From Assassin’s Creed — a strange mix of “can’t we all get along” and “hey, it’s from history, don’t blame me if it pisses you off”

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Of course, Rhino would be the ones to sell adagios as classical beats to sleep by. These soporific tracks are dope.

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I was so guilt tripped by Visual Bookshelf’s questioning of the veracity of my shelf listings that I spent 20 minutes moving things from reading to to-read.

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He doesn’t have many friends, I am honored to be among them.

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The folks at OLPC have PC down (seriously): they recognize that hangman is a freaky image to base a wheel of fortune like game on, but they’re cool enough to make Doom available on the XO.

Snobs Who Get It and Get Into It: NYRB on Wikipedia

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A little late to be posting this, but the Nicholson Baker piece on Wikipedia in the NY Review of Books is pretty interesting for its insights, what it says about the NYRB, and for the author.

First, the author. Nicholson Baker is a fascinating person, and an interesting choice for the NYRB piece. In the past he has:

  • campaigned against libraries destroying books and card catalogs
  • saved the Rochester Public Library Card catalog from destruction
  • wrote an article about the books that appear as props in IKEA rooms after having read a large volume of them
  • worte a lengthy but illuminating New Yorker about how he organizes the 6 * 6 bookshelves that he limits his book collection to at home
  • unrelated, but interesting, he wrote an intimate confessional about his obsession with John Updike (U and I), in which he tortures himself by comparing his prose to Updike’s, obsesses about why Updike plays golf with some writers but not him, tries to remember his favorite passages from Updike’s work, only to be frustrated at the inaccuracy

There’s an obsessive self-reflectiveness to Baker which, coupled with his openness and honesty, makes him an ideal writer about user-generated content. The piece itself is ostensibly a review of Missing Manual for Wikipedia, by “cheery electronics expert David Pogue.” It’s a charming conceit of NYRB to throw a single title into the mix, force the writer to make a few comments about it, and then let them get on with the business of commentary.
Baker is the perfect blend of NYRB snob, but one who not only gets the internet, but gets into it. He’s not slumming, and he’s got enough literary juice and openness to unabashedly enjoy Wikipedia:

Wikipedia is just an incredible thing. It’s fact-encirclingly huge, and it’s idiosyncratic, careful, messy, funny, shocking, and full of simmering controversies—and it’s free, and it’s fast. In a few seconds you can look up, for instance, “Diogenes of Sinope,” or “turnip,” or “Crazy Eddie,” or “Bagoas,” or “quadratic formula,” or “Bristol Beaufighter,” or “squeegee,” or “Sanford B. Dole,” and you’ll have knowledge you didn’t have before. It’s like some vast aerial city with people walking briskly to and fro on catwalks, carrying picnic baskets full of nutritious snacks.

He also looks at it as a literary/writing phenomenon, and manages to keep some level of snobby, bookish aloofness:

[Wikipedia] asked for help, and when it did, it used a particularly affecting word: “stub.” At the bottom of a short article about something, it would say, “This article about X is a stub. You can help Wikipedia by expanding it.” And you’d think: That poor sad stub: I will help. Not right now, because I’m writing a book, but someday, yes, I will try to help.

And when people did help they were given a flattering name. They weren’t called “Wikipedia’s little helpers,” they were called “editors.” It was like a giant community leaf-raking project in which everyone was called a groundskeeper.

Despite the de rigeur snobbery in the preamble, Baker is genuinely enthusiastic about Wikipedia. In fact, Baker goes almost completely native in its culture. Not surprisingly, Baker, the man who preserved Ikea display books from obscurity (however briefly) and books and card catalogs from the shredder, became an active protector of articles slated for deletion. He put hours of time into making the case that an obscure beat personality, the Jitterbug telephone, unknown Russian poets, and the author of a ‘naps will change your life book’ deserved an entry in Wikipedia if someone was willing to write one. He followed them with the petty but real passions we’ve all experienced in bulletin boards, usenet groups, or any kind of forum that we know takes up too much headspace, but we allow it to anyway.

I stopped hearing what my family was saying to me—for about two weeks I all but disappeared into my screen, trying to salvage brief, sometimes overly promotional but nevertheless worthy biographies by recasting them in neutral language, and by hastily scouring newspaper databases and Google Books for references that would bulk up their notability quotient. I had become an “inclusionist.”

Baker is good-natured about his emotional attachment to these struggles: “When I managed to help save something I was quietly thrilled — I walked tall, like Henry Fonda in Twelve Angry Men.” He also observes that:

All big internet successes have a more or less addictive component — they hook you because they are solitary ways to be social: you keep checking in, peeking in, as you would to some noisy party going on downstairs in a house while you’re trying to sleep.

Not sure that all big internet successes rely on that hook, but he does highlight a powerful dynamic around safe ways to put one’s self out there, and his willingness to look at user-generation dynamics without condescension, especially a user-generated encyclopedia!, is refreshing as well as interesting.

The article has some nice higlights and Wiki-historical bits as well. He references over a dozen wars, vandalisms, deletions, hot-button entries. For my part, I did not know that Wikipedia was seeded with public domain content: the Encyclopedia Britannica 1911 edition, Dictoiary of Greek and Roman biography, two biography dictionaries, and a bible dictionary. Clever that.
Oh yeah, I think he recommends the Missing Manual: “this manual is enlightening, well organized, and full of good sense.”

Piclens: Flickr Coolness

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Another thing to do with pictures that makes any set of pictures look awesome: Piclens from Cooliris. Piclens is a Firefox add-on that does two things: 1) grabs all the pictures contained in or implied by a page (contained in is just what it sounds like, implied by is grabbing a photostream on Flickr); and 2) displays them on a cool Matrix (architect scene) wall that you can scrub through. It handles loads really well. The pic above is the Library of Congress photostream on Flickr.

FanFic has been here forever

I am always wary of showing (middle-aged or baby boomer) co-workers some interesting user-generated fact, content, tidbit, gewgaw. More than 50% of the time, the response is a vaguely contemptuous “someone has too much time on their hands” and I can never tell if they’re talking about the person who did this cool thing, or me. So, when GotMedieval, “A [intermittently updated] tonic for the slipshod use of medieval European history in the media and pop culture”, says fan fiction goes back to Chaucer, I feel vindicated.

Chaucer seems to have attracted this sort of activity more than other writers–or possibly, we modern readers are more interested in tracking down this sort of thing when it’s done to a writer we admire as much as Chaucer. Chaucer left a lot of gaps in the Canterbury Tales, and other writers stepped up to fill them, writing tales for the poor Ploughman who never got one in the original, an extra tale for both the Merchant and the Cook, and a whole story about what the Pilgrims did once they got to Canterbury

Library of Congress on Flickr

wilde.jpgThe Library of Congress is putting fascinating pictures up on Flickr. There are >3000 pics up there now, but even in the first hundred pictures, there’s a wide range of subjects: TR speaking in New Jersey, baseball players, cyclone damage, early airplanes, early 20th c. fisticuffs . . .  The picture above is identified as a piece of an Oscar Wilde monument being packed or unpacked.
According to the profile, LoC is simply placing photographs on flickr with their own tag and the remaining tags are coming from the community. Comments are also coming from the flickr community. On the picture below, the comments are rather inane, making fun of the hair, but on some other pics there are links to wikipedia, clues to dating and location.

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Fun facts from the profile:

We serve as the national library for the United States, based in Washington, DC. With more than 134 million items preserved on some 530 miles of bookshelves, we’re also the world’s largest library.In addition to books, we have photos, maps, databases, movies, sound recordings, sheet music, manuscripts, and information in many other formats. Millions of items are online, and the full array of collections is available in DC, right across from the U.S. Capitol building

What are photographs doing in a library?

We’ve been acquiring photos since the mid-1800s when photography was the hot new technology. Because images represent life and the world so vividly, people have long enjoyed exploring our visual collections. Looking at pictures opens new windows to understanding both the past and the present. Favorite photos are often incorporated in books, TV shows, homework assignments, scholarly articles, family histories, and much more.

The Prints & Photographs Division takes care of 14 million of the Library’s pictures and features more than 1 million through online catalogs. Offering historical photo collections through Flickr is a welcome opportunity to share some of our most popular images more widely.

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